"I made the point that during my thirty-five years of teaching, I probably taught about five thousand students. These students financed my salary. Maybe about five hundred of them hoped to “make it” in the gallery circuit. Possibly twenty among these succeeded. That means that the other 480 hoped to make a living from teaching. Each one of them would in turn require another five thousand students to ensure their salaries. In only one generation, then, the needed student base went up to 2,400,000—and that was only considering my students, nobody else’s. No wonder this system is collapsing."

Luis Camnitzer, “An Artist, a Leader, and a Dean Were on a Boat…” (via raymondboisjoly)

Reblogged from raymondboisjoly with 11 notes

vicemag:

Meet Oberon Zell-Ravenheart, the Real-Life Dumbledore Behind the World’s Only Wizarding Academy
To anyone who grew up in the Harry Potter era, trawling the internet for DIY Patronus instructions and haphazard “magic” scams, an online wizarding school might sound dubious, at best. But there is, in fact, a place where that pesky line between reality and fantasy doesn’t exist—it’s a school, mostly online but with real-life components, where students can realize their wizarding potential. And it’s totally serious. The Grey School of Wizardry, run by headmaster, founder, and pointy-crushed-velvet-hat-wearer Oberon “Otter” Zell-Ravenheart, is a 501(c)(3) nonprofit based in Sonoma County, California, and the world’s only registered wizarding academy.
The Grey School isn’t a piddling gimmick. It’s an establishment with a ten-year history, 650 students across the world, and 450 classes taught by several dozen teachers in 16 departments: Alchemy & Magickal Sciences, Beast Mastery, Dark Arts, Psychic Arts, Divination, Wizardry, Wortcunning, and “Mathemagicks,” to name a few. Students between the ages of 11 and 17 are sorted into four houses—Gnomes, Salamanders, Sylphs, and Undines—while adults are sorted into lodges, each with its own faculty head and student prefects. Beyond classes, the Grey School has clubs, merit systems, a student newspaper (Grey Matters), and hosts IRL summer camps called “conclaves” around the US.
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vicemag:

Meet Oberon Zell-Ravenheart, the Real-Life Dumbledore Behind the World’s Only Wizarding Academy

To anyone who grew up in the Harry Potter era, trawling the internet for DIY Patronus instructions and haphazard “magic” scams, an online wizarding school might sound dubious, at best. But there is, in fact, a place where that pesky line between reality and fantasy doesn’t exist—it’s a school, mostly online but with real-life components, where students can realize their wizarding potential. And it’s totally serious. The Grey School of Wizardry, run by headmaster, founder, and pointy-crushed-velvet-hat-wearer Oberon “Otter” Zell-Ravenheart, is a 501(c)(3) nonprofit based in Sonoma County, California, and the world’s only registered wizarding academy.

The Grey School isn’t a piddling gimmick. It’s an establishment with a ten-year history, 650 students across the world, and 450 classes taught by several dozen teachers in 16 departments: Alchemy & Magickal Sciences, Beast Mastery, Dark Arts, Psychic Arts, Divination, Wizardry, Wortcunning, and “Mathemagicks,” to name a few. Students between the ages of 11 and 17 are sorted into four houses—Gnomes, Salamanders, Sylphs, and Undines—while adults are sorted into lodges, each with its own faculty head and student prefects. Beyond classes, the Grey School has clubs, merit systems, a student newspaper (Grey Matters), and hosts IRL summer camps called “conclaves” around the US.

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Reblogged from raymondboisjoly with 381 notes

rhizomatous:

Coyote riding public rail in Portland, OR (via)

rhizomatous:

Coyote riding public rail in Portland, OR (via)

Reblogged from raymondboisjoly with 73,805 notes

maybeedmonton:

Rejected Alberta License Plate Ideas

Reblogged from maybeedmonton with 110 notes

jean-luc-gohard:

I was born in the wrong generation. This generation is still racist as fuck and I can’t download a pizza. Wake me up in the year 3019.

Reblogged from raymondboisjoly with 79,560 notes

(Source: risingtensions)

Reblogged from marriedtotheinternet with 11,691 notes

sickpage:

Vincent Glielmi

sickpage:

Vincent Glielmi

Reblogged from pennyarcadevintage with 1,120 notes

"

Don’t you know that slavery was outlawed?”

“No,” the guard said, “you’re wrong. Slavery was outlawed with the exception of prisons. Slavery is legal in prisons.”

I looked it up and sure enough, she was right. The Thirteenth Amendment to the Constitution says:
“Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.”

Well, that explained a lot of things. That explained why jails and prisons all over the country are filled to the brim with Black and Third World people, why so many Black people can’t find a job on the streets and are forced to survive the best way they know how. Once you’re in prison, there are plenty of jobs, and, if you don’t want to work, they beat you up and throw you in a hole. If every state had to pay workers to do the jobs prisoners are forced to do, the salaries would amount to billions… Prisons are a profitable business. They are a way of legally perpetuating slavery. In every state more and more prisons are being built and even more are on the drawing board. Who are they for? They certainly aren’t planning to put white people in them. Prisons are part of this government’s genocidal war against Black and Third World people.

"

Assata Shakur’s autobiography. (via sukoot)

(Source: the-uncensored-she)

Reblogged from raymondboisjoly with 8,761 notes

exponential growth
Salbung #1

Böhler & Orendt, 2013, 220 × 290 × 330 cm, 3 h, Prince of Wales, München

exponential growth

Salbung #1

Böhler & Orendt, 2013, 220 × 290 × 330 cm, 3 h, Prince of Wales, München

missvoltairine:

phil-irish-artist:

By copyrighting his property as an artwork, he has prevented oil companies from drilling on it.

Peter Von Tiesenhausen has developed artworks all over his property in northern Alberta.  There’s a boat woven from sticks that is gradually being reclaimed by the land; there is a fence that he adds to each year of his life, and there are many “watching” trees, with eyes scored into their bark.

Oil interests pester him continually about drilling on his land.  His repeated rebuffing of their advances lead them to move toward arbitration.  They made it very clear that he only owned the top 6 inches of soil, and they had rights to anything underneath.  He then, off the top of his head, threatened them that he would sue damages if they disturbed his 6 inches, for the entire property is an artwork.  Any disturbance would compromise the work, and he would sue.

Immediately after that meeting, he called a lawyer (who is also an art collector) and asked if his intuitive threat would actually hold legally.  The lawyer visited, saw the scope of the work on the property, and wrote a document protecting the artwork.

The oil companies have kept their distance ever since.

This is but one example of Peter’s ability to negotiate quickly on his feet, and to find solutions that defy expectations.

I feel like this is really important. 

Reblogged from raymondboisjoly with 48,904 notes

(Source: cityvillain)

Reblogged from gatenight with 6,954 notes

Silvia KolbowskiOnce more, with feeling
1992

Once more, with feeling is a two-part project (at galleries in New York and Paris) that engaged the generic white gallery space. A challenge to the “tabula rasa” idea of the empty gallery space, and to the cultural demand that the artist fill it in conventional ways, the project is comprised of objects of mass and limited production. Included are a large-run of an offset poster of each empty gallery space, with quotations taken from local, time-sensitive publications, and a limited edition gold silkscreen of the same image of the empty gallery space displayed behind a metal railing. The full run of posters and their packing tubes were displayed next to the print and railing. Conceptually speaking, if the posters are all sold during the exhibition, the gallery becomes half empty, with only the gold print and railing remaining.

Silvia Kolbowski

Once more, with feeling

1992

Once more, with feeling is a two-part project (at galleries in New York and Paris) that engaged the generic white gallery space. A challenge to the “tabula rasa” idea of the empty gallery space, and to the cultural demand that the artist fill it in conventional ways, the project is comprised of objects of mass and limited production. Included are a large-run of an offset poster of each empty gallery space, with quotations taken from local, time-sensitive publications, and a limited edition gold silkscreen of the same image of the empty gallery space displayed behind a metal railing. The full run of posters and their packing tubes were displayed next to the print and railing. Conceptually speaking, if the posters are all sold during the exhibition, the gallery becomes half empty, with only the gold print and railing remaining.